My Dream Tureen

Several years ago, I had the opportunity to visit an exhibition of ceramics since at the Kemper Museum of Contemporary Art in KC, MO called Color and Fire: Defining Moments in Ceramics, 1950-2000, which was drawn from the LACMA collection of ceramics. I actually saw it twice and bought the catalog, which is high marks from a jaded, museum-employed art person. I felt the work presented truly sparked the imagination and addressed the ever-present question artists working in traditional craft media must address: form or function?

David Regan, b. 1964
Deer Tureen, 1996
Porcelain


The most amazing thing I saw was a tureen shaped like a deer giving birth. It was enormous (could have easily served forty people) and decorated with intricate woodland details including a snake winding its way around the under plate. The application of the design implied a context beyond the elegant form, setting the work apart from the merely functional. I imagined serving tomato soup from the tureen. I imagined serving pea soup in the tureen. I imagined having the tureen on my dining table and getting to look at it everyday.

Since then, I have been on the search for a tureen. I knew I would never find a giant one shaped like a deer giving birth at the thrift store, but I thought I would eventually find one that really said something. A tureen that made a statement. And this weekend, I found exactly what I had been looking for: a vintage, 1975 Fitz and Floyd tureen shaped like giant fish. With green eyes.

Just in time for fall. Come to dinner, I'm serving soup!